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Morris, Robert

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Approximately 30 texts (richly illustrated), published and unpublished, written between 1966 and the present: letters, essays, interviews, articles, facsimiles of illustrated texts, transcripts of talks as well as completed sections of a book-in-progress. The items are of disparate length and tone and cover subjects ranging from optics to orchids, cultural politics to ancient Greek iconography, art theory and philosophy to the mixed pleasures of living in a drafty castle in the Irish countryside. To all these diverse topics Baer brings formidable powers of analysis, rigorous logic, a penchant for provocation, lively wit and an inimitable, exacting use of language - the same ingredients that go into her art.

Women artists --- Art --- Art, American --- Ästhetik. --- Philosophy. --- Baer, Jo, --- kunst --- Verenigde Staten --- twintigste eeuw --- eenentwintigste eeuw --- Baer Jo --- Parthenon --- Athene --- Griekenland --- 75.071 BAER --- minimalisme --- minimal art --- radical figuration --- schilderkunst --- abstractie --- abstracte schilderkunst --- Morris Robert --- Kienholz Robert --- Flavin Dan --- LeWitt Sol --- Smithson Robert --- Graham Dan --- Judd Donald --- Bochner Mel --- Kienholz Edward --- Andre Carl --- Robbins Bruce --- 7.071 BAER

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Art --- Sculpture --- outdoor sculpture --- public art --- art theory --- studios [work spaces] --- sculpting --- Murray, Robert --- Dubuffet, Jean --- Oldenburg, Claes --- Bladen, Ronald --- Gonschior, Kuno --- Smith, Tony --- Trova, Ernest --- Newman, Barnett --- Kadishman, Menashe --- Morris, Robert --- Haring, Keith --- Leaf, June --- Meadmore, Clement --- Myers, Forrest --- Wesselmann, Tom --- Rosati, James --- Rosenthal, Tony --- Streeter, Tal --- Todd, Michael --- Schlegell, von, David --- Sugarman, George --- Lichtenstein, Roy --- Breer, Robert C. --- Kelly, Ellsworth --- Nevelson, Louise --- Bruggen, van, Coosje --- Borofsky, Jonathan --- Marisol --- Graves, Nancy --- Indiana, Robert --- Witkin, Isaac --- Calder, Alexander

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MAD-faculty 13 --- kunstkritiek --- Art --- art [fine art] --- philosophy of art --- Mauri, Fabio --- Nagasawa, Hidetoshi --- Jakober, Ben --- Vu, Yannick --- Turcato, Giulio --- Andre, Carl --- LeWitt, Sol --- Dibbets, Jan --- Tremlett, David --- Buren, Daniel --- Oppenheim, Dennis --- Paik, Nam June --- Warhol, Andy --- Fox, Terry --- Schifano, Mario --- Watts, Robert --- Fabro, Luciano --- Pistoletto, Michelangelo --- Garutti, Alberto --- Morris, Robert --- Bourgeois, Louise --- Spalletti, Ettore --- Smithson, Robert --- Weiner, Lawrence --- Abramovic, Marina --- Nannucci, Maurizio --- Beuys, Joseph --- Pisani, Vettor --- Boltanski, Christian --- Xhafa, Sislej --- West, Franz --- Paolini, Giulio --- Tuttle, Richard --- Fabre, Jan --- Merz, Mario --- Rauschenberg, Robert --- Durham, Jimmie --- Vautier, Ben --- Acconci, Vito --- Ryman, Robert --- Cucchi, Enzo --- Graham, Dan --- Kentridge, William --- Cattelan, Maurizio --- Boetti, Alighiero --- Calzolari, Pier Paolo --- Chia, Sandro --- Clemente, Francesco --- Gilbert and George --- Kounellis, Jannis --- Nauman, Bruce --- Paladino, Mimmo --- Accardi, Carla --- Ontani, Luigi --- Reis, Pedro Cabrita --- Toroni, Niele --- Amer, Ghada --- Barry, Robert --- Dominicis, de, Gino --- Huebler, Douglas --- Maria, de, Nicola --- Moorman, Charlotte --- Piacentino, Gianni --- Quinn, Marc --- Burroughs, William S. --- Rotella, Mimmo --- Sieverding, Katharina --- Vostell, Wolf --- Wilson, Ian --- Dimitrijević, Braco --- Kosuth, Joseph --- art [discipline]

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[back cover:] This book is the first attempt to chart the history of art and its interaction with written language. Art, Word and Image examines the use of words (or language) in many genres of art – most often painting, but including prints, the book as art, sculpture, installation,and performance. This book asks what does it mean when a painting is 'invaded' by language? How do the two forms converse and combine, and what messages are intended for the viewer? In addition, other important themes that are also addressed include the naming or titling of paintings, the uses of narrative in art, and the literary connections and aspirations of artists. ## Art, Word and Image is constructed around three wide-ranging essays by John Dixon Hunt, David Lomas and Michael Corris. These essays discuss the use and significance of words in art – from Classical Greece and Assyria, through to the Middle Ages and the Renaissance, to modern times and today’s digital media, where the words and imagequestion has become a central issue. The essays cover a variety of movements (Pre-Raphaelites, Cubists, Surrealists, and Lettrists, for example) and many artists, among them Duchamp, Picasso, Ernst, Twombly, Michaux, Warhol and Kruger. The book also includes ‘spotlight’ essays on artists whose work engages substantially with questions ofword and image: Blake, Klee, Schwitters, Haack, Pettibon, McCahon and Walla. ## This ground-breaking book will form a new framework for thinking about the interactions between word and image in the visual arts. ## With contributions by Jeremy Adler, Stephen Barber, Rex Butler and Laurence Simmons, Michael Corris, John Dixon Hunt, Michael R. Leaman, David Lomas, Joseph Viscomi, Hamza Walker, Barbara Weyandt and Michael White.

Beeldende kunst ; kunst en tekst --- Beeld en woord ; beeld en tekst --- Blake, William --- Klee, Paul --- Schwitters, Kurt --- Walla, August --- McCahon, Colin --- Haack, Horst --- Pettibon, Raymond --- Kruger Barbara --- Warhol Andy --- Twombly Cy --- Ernst Max --- Picasso Pablo --- lettrisme --- prerafaëlieten --- Pettibon Raymond --- Haack Horst --- McCahon Colin --- Walla August --- Klee Paul --- Blake William --- woord en beeld --- Iconografie ; verschillende onderwerpen --- texts [documents] --- art theory --- Finlay, Ian Hamilton --- Johns, Jasper --- Fulton, Hamish --- Kosuth, Joseph --- Dubuffet, Jean --- Warhol, Andy --- Ruscha, Ed --- Basquiat, Jean-Michel --- Weiner, Lawrence --- Rodtschenko, Alexander Michajlowitsch --- Picasso, Pablo --- Picabia, Francis --- Lichtenstein, Roy --- Baldessari, John --- Ernst, Max --- Jaar, Alfredo --- Lissitzky, Eliezer --- Jorn, Asger --- Kiefer, Anselm --- Höch, Hannah --- Moholy-Nagy, László --- Cornell, Joseph --- Gilbert and George --- Hausmann, Raoul --- Morris, Robert --- Michaux, Henri --- Delaunay, Sonia --- Miró, Joan --- Broodthaers, Marcel --- Dalí, Salvador --- Scanlan, Joe --- Hamilton, Richard --- Matta-Clark, Gordon --- Twombly, Cy --- Wearing, Gillian --- Rauschenberg, Robert --- Schneeman, Carolee --- Magritte, René --- Dean, Tacita --- Opałka, Roman --- Indiana, Robert --- Holman Hunt, William --- Bulatov, Erik --- 7.049 --- Michaux Henri --- Duchamp Marcel --- surrealisme --- kubisme --- 7.036 --- twintigste eeuw --- 7.03 --- kunst --- Art --- History --- Iconography --- Semiotics --- language [general communication] --- art history --- Man Ray --- Kruger, Barbara --- Holzer, Jenny --- Marinetti, Filippo Tommaso --- Braque, Georges --- Duchamp, Marcel --- Rosler, Martha --- Art & Language --- Lissitzky, El --- Hunt, William Holman --- Sémiotique et art. --- Sémiotique et art.